{"id":17,"date":"2013-05-20T06:54:00","date_gmt":"2013-05-20T11:54:00","guid":{"rendered":""},"modified":"2021-03-26T09:45:16","modified_gmt":"2021-03-26T14:45:16","slug":"three-images","status":"publish","type":"post","link":"https:\/\/k-tock.com\/?p=17","title":{"rendered":"Three Images"},"content":{"rendered":"<p>There&#8217;s two podcasts I listen to&nbsp;regularly, <a href=\"http:\/\/johnaugust.com\/podcast\" target=\"_blank\" rel=\"noopener\">Scriptnotes<\/a> and <a href=\"http:\/\/onthepagepodcast.com\/\" target=\"_blank\" rel=\"noopener\">On The Page<\/a>. Both of them are about screenwriting, and both offer valuable tips and insights.<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0929300\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener\">Randy Wilkins<\/a>, the guest on&nbsp;episode 220 of the On The Page podcast gave a great screenwriting tip. He is&nbsp;a set designer on some big movies, and is thus used to thinking very visually. And his tip is very much to do with the visuals of a scene.<\/p>\n<p>He suggested that writers should have three clear&nbsp;visual images&nbsp;in their head per scene. An opening image, a key image and a closing image.<\/p>\n<p>By trying to think visually, it allows the images to carry more of the story, rather than the dialogue. It makes it more visual&#8211; which is where the power of cinema lies.<\/p>\n<p>To try and make each scene more dramatic, I think it would be a great idea to try and have some similarity between the opening image and the closing image of the scene&#8211; but with some sort of reversal or twist. Either the power balance has changed, or things haven&#8217;t worked out for the protagonist.<\/p>\n<p>By being more intentional about thinking visually, it can&#8217;t help but make each scene more cinematic.<\/p>\n<p>And a script full of cinematic scenes must surely be a more cinematic read.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s two podcasts I listen to&nbsp;regularly, Scriptnotes and On The Page. Both of them are about screenwriting, and both offer valuable tips and insights. Randy Wilkins, the guest on&nbsp;episode 220 of the On The Page<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[14,4,15,16],"tags":[],"class_list":["post-17","post","type-post","status-publish","format-standard","hentry","category-on-the-page","category-scriptnotes","category-tips","category-visual"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/k-tock.com\/index.php?rest_route=\/wp\/v2\/posts\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/k-tock.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/k-tock.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/k-tock.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/k-tock.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17"}],"version-history":[{"count":1,"href":"https:\/\/k-tock.com\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions"}],"predecessor-version":[{"id":102,"href":"https:\/\/k-tock.com\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions\/102"}],"wp:attachment":[{"href":"https:\/\/k-tock.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/k-tock.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/k-tock.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}