Upping the Use of Symbols – Part 2

Spoiler Alert: If you haven’t seen the movie Up, then what are you waiting for – hire it and watch it ASAP. This post doesn’t go into a detailed look at the plot, but it does spoil the movie, if you haven’t watched it.

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In Part 1 I started examining the use of badges as symbolic objects in Up. We’ll continue by looking at the symbolic use of balloons and Ellie’s Adventure Book.

Balloons.

Balloons serve as a symbol of adventure. Charles Muntz sets off on his adventures in a giant dirigible, essentially a hot-air balloon, called the Spirit of Adventure. Carl attempts to copy his hero by carrying a blue balloon around with the name ‘Spirit of Adventure’ written on it.

The film makers tweak the symbol by having balloons draw Ellie and Carl together. As a child, Ellie floats a balloon to Carl, which serves to introduce the ‘married life’ montage sequence. Carl sells helium balloons at the zoo, and it is his routine life, with its mundane realities, that keeps them from setting off on their adventure to Paradise Falls. Near the end of that powerfully emotive montage, Carl floats a balloon to Ellie as she lies dying in hospital.

After Ellie’s passing, Carl uses balloons to fulfil Ellie’s dream of living at Paradise Falls. He ties thousands of balloons to his house and flies it to South America. In South America, the balloons serve to add time pressure to the story, as Carl must reach his destination before the helium escapes from the balloons.

The film makers also use the transparency and inflation-level of the balloons to chart Carl’s growth as a character. As he pushes Russell away in his efforts to achieve his own goals, the balloons deflate and grow more opaque. I must admit, I didn’t notice this myself, but Pete Docter and Bob Peterson mentioned it in the excellent Directors’ commentary.

At the climax of the fight between Carl and Muntz, balloons play a significant role in Muntz’s downfall (pun intended). As Muntz leaps from the house back to his dirigible, he is snagged on some of Carl’s balloons, and falls to his death. Watching it, it is almost like the balloons are representative of Ellie, and she and Carl are again working together to achieve their goals.

Finally, in the final sequence of the film, Carl and Russell sit on the curb and count coloured cars (say those last five words three times quickly). As the camera dollies back, we see Muntz’s giant dirigible, the Spirit of Adventure, ‘parked’ in the disabled spot. Carl has grown from playing with a balloon, pretending it is the Spirit of Adventure, to becoming a globe-hopping adventurer himself, in the process discovering a new family, and fulfilling his wife’s dream of living at Paradise Falls.

Ellie’s Adventure Book.

The final symbol I’ll look at is Ellie’s Adventure Book. The adventure book is a symbol that is seen less frequently than the others, but it has a more emotional kick when it is on-screen.

As a girl, Ellie shows Carl her adventure book. In it, she has scribbled a picture of a house atop Paradise Falls. There are ample blank pages ready to fill with mementos of the ‘stuff I’m going to do’ once she is at the Falls.

At first, Carl and Ellie work towards making their dream of living at Paradise Falls a reality. They set aside money and plan for their grand adventure. But then life happens, and things get in the way. They have to raid their savings and before long, the adventure book is out of sight – Carl and Ellie are happy living a mundane life.

After Ellie’s passing, Carl is forced to leave his house and live at a retirement village. During his last night at home, he rediscovers Ellie’s adventure book. Downcast that he never helped her fulfil her dream, Carl decides to take action. He ties thousands of balloons to his house and ‘flies’ it to South America.

We don’t see much of the adventure book until much later in the movie. Carl succeeds in his mission – he has dragged the house to Paradise Falls. He sits down in his chair and leafs through the adventure book. He had assumed that the ‘stuff I’m going to do’ pages were still blank, as Ellie never made it to Paradise Falls.

Carl is gobsmacked to find that the pages are filled with mementos of the ordinary life they shared – wedding photos, picnic photos, the ordinary ‘ups and downs’ of life are documented in her adventure book. Ellie lived a life she was proud of – for her, sharing her life with Carl had been an adventure. This revelation gives Carl the motivation to make things right with Russell, and step up and have a new adventure.

In Conclusion

Symbols seem to be most effective when they are subtle – rather than calling attention to a symbol and hammering the point home to the audience, I think it is better to understate, but repeat, so that it resonates with the viewer, without them necessarily being aware of it.

It is important to remember that a script is not an English essay where you need to impress a marker with your use of symbols. Instead, you are trying to touch a viewer emotionally. To that end, though, I don’t think it hurts to try and feature the symbols in a script. But how do you do that?

In the version of the screenplay for Up I sourced off the ‘net, the screenwriters have put many of the objects in the script in FULL-CAPS. I know that sound effects go in full-caps, and character names when they are first introduced, but most screenplays I have read haven’t used that. Whether it is an acceptable convention or not, I don’t know. But, it does help to highlight symbolic objects and assign them a little extra clarity in the reader’s mind.

Another thing about symbols is that they should be integrated into the theme of a movie. I believe that the screenwriters of Up did that very well. The badges, balloons, and Ellie’s book all tie in with regret and the pursuit of what it means to live a meaningful life. The characters are able to realise what makes life worth living through their interaction with the symbolic objects.

What is also done well in Up is that the symbols are seen in a positive and negative light. With the badges, we see Muntz chase a dream too far and lose his humanity, and Carl nearly make that same mistake. The balloons chart Carl’s fall, as well as his rediscovery of living with a purpose. Ellie’s book is both a symbol of regret, and a life lived to the full.

My goal with my writing is to integrate symbols into theme in a subtle manner, and make them multi-dimensional. In this way, I believe an audience will be touched in a deeper, more emotive way. They will engage with the story and characters much more.

So, that’s my brief investigation into three symbolic objects the film makers used in Up. Symbols don’t have to be limited to objects, though. Gestures can be endowed with symbolism, dialogue can be symbolic, locations can be symbolic, but more on those uses of symbolism another time.

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